Flow How did a handful of corporations steal our water

• Irena Salina s award-winning documentary investigation into what experts label the most important political and environmental issue of the 21st Century - The World Water Crisis. Salina builds a case against the growing privatization of the world s dwindling fresh water supply with a focus on politics, pollution, human rights, and the emergence of a domineering world water cartel. Interviews with s

FLOW - DVD Movie

French Connection Women's Midnight Moscow Sleeveless Dress, Blue Blood/Silver, 2

• Deep v-neck
• Zip fastening at back and fully lined

FRENCH CONNECTION/FRENCH CONNECTION 2 - DVD MovieFRENCH CONNECTION 2 - Blu-Ray MovieMidnight moscow dress

Cloud b Mimicking Monkey

• Plays three unique sounds for fun and sleep: Monkey fun, Angel falls, Lullaby
• Records voices over all sound options
• Illustrated storybook and adoption certificate

Hot leading man Rupert Everett (AN IDEAL HUSBAND, MY BEST FRIEND'S WEDDING) stars in a sexy thriller that's all about jealousy, passion, revenge ... and a woman compelled to live her life on the edge! Tired of criminal activity, a wild and beautiful thief named B. (Asia Argento -- QUEEN MARGOT) begins to seek a way out of her dangerous profession. While trying to kick her addiction to crime, she finds love and a stable relationship with a naive schoolteacher (Jared Harris -- I SHOT ANDY WARHOL) ... until the dark secrets from B.'s past begin to creep into her new life! As ex-partners Paul (Everett) and Bruno (Jonathan Rhys-Meyers -- MICHAEL COLLINS) get back in the picture, B.'s harrowing balancing act threatens to c! ome crashing down!Director Michael Radford made a surprising about-face from his international hit Il Postino to this grungy British romantic crime thriller. Asia Argento (Dario's daughter and costar of Abel Ferrara's New Rose Hotel) is the title character, a street criminal whose specialty is breaking and entering: "I can get into anywhere." Jared Harris (Richard's son and Andy Warhol in I Shot Andy Warhol) is a bookish, shy schoolteacher with a yen for jazz who becomes smitten with Argento's sexy wildcat. Argento brings a vitality to the supercharged street thief trying to break with her past, but stick-in-the-mud Harris is restrained to a fault and Radford never quite finds the right chemistry to make their union any more than curious. Rupert Everett costars as a smart-mouthed, sleepy-eyed ne'er-do-well whose drug habit puts him deep in debt, and Jonathan Rhys-Meyers is Argento's volatile partner, a jittery young punk on a hair trigger. Radford has m! ore fun with the villains than his ostensible hero; the film b! ubbles w hen they're on screen and the movie's single heist scene is a short, sharp, energized shot in the arm to a slowing story. Only Harris sticks out as an impossibly resolute saint who's dedicated his life to a passionate sinner. The conclusion reverberates with echoes of Straw Dogs, as remade by a kinder, gentler filmmaker. --Sean Axmaker Rupert Everett stars in this sexy thriller that's all about jealousy, passion, revenge and a woman compelled to live her life on the edge.
Tired of criminal activity, a wild and beautiful thief named B. (Asia Argento) begins to look for a way out of her dangerous profession. While trying to kick her addiction to crime, she finds love with a naive schoolteacher (Jared Harris)â€"until the dark secrets from B.'s past begin to creep into her new life. As ex-partners Paul (Everett) and Bruno (Jonathan Rhys Meyers) get back in the picture, you'll feel the intensity build as B.'s harrowing balan! cing act threatens to come crashing down.ASIA ARGENTO PACK:SCARLET DIVA/LOVE B - DVD MovieDirector Michael Radford made a surprising about-face from his international hit Il Postino to this grungy British romantic crime thriller. Asia Argento (Dario's daughter and costar of Abel Ferrara's New Rose Hotel) is the title character, a street criminal whose specialty is breaking and entering: "I can get into anywhere." Jared Harris (Richard's son and Andy Warhol in I Shot Andy Warhol) is a bookish, shy schoolteacher with a yen for jazz who becomes smitten with Argento's sexy wildcat. Argento brings a vitality to the supercharged street thief trying to break with her past, but stick-in-the-mud Harris is restrained to a fault and Radford never quite finds the right chemistry to make their union any more than curious. Rupert Everett costars as a smart-mouthed, sleepy-eyed ne'er-do-well whose drug habit puts him deep in debt, and Jonathan Rhys-Meyers is Argento's! volatile partner, a jittery young punk on a hair trigger. Rad! ford has more fun with the villains than his ostensible hero; the film bubbles when they're on screen and the movie's single heist scene is a short, sharp, energized shot in the arm to a slowing story. Only Harris sticks out as an impossibly resolute saint who's dedicated his life to a passionate sinner. The conclusion reverberates with echoes of Straw Dogs, as remade by a kinder, gentler filmmaker. --Sean Axmaker 12 MONKEYS SPECIAL EDITION - DVD MovieInspired by Chris Marker's acclaimed short film LaJetée (which is included on the DVD Short 2: Dreams), 12 Monkeys combines intricate, intelligent storytelling with the uniquely imaginative vision of director Terry Gilliam. The story opens in the wintry wasteland of the year 2035, where a virulent plague has forced humans to live in a squalid, oppressively regimented underground. Bruce Willis plays a societal outcast who is given the opportunity to erase his criminal record by "volunteering" to time! -travel into the past to obtain a pure sample of the deadly virus that will help future scientists to develop a cure. But in bouncing from 1918 to the early and mid-1990s, he undergoes an ordeal that forces him to question his own perceptions of reality. Caught between the dangers of the past and the devastation of the future, he encounters a psychiatrist (Madeleine Stowe) who is initially convinced he's insane, and a wacky mental patient (Brad Pitt in a twitchy Oscar-nominated role) with links to a radical group that may have unleashed the deadly virus. Equal parts mystery, tragedy, psychological thriller, and apocalyptic drama, 12 Monkeys ranks as one of the best science fiction films of the '90s, boosted by Gilliam's visual ingenuity and one of the finest performances of Willis's career. --Jeff ShannonMimicking Monkey's unique dual track voiceover option allows you to record personal messages along with each sound to perfectly transform your child's play, r! elax or bedtime environment. Familiar voices and soothing soun! ds are p roven to calm the mind in order to help children achieve a more peaceful, deeper sleep. Record a soothing message to your child and help ease separation anxiety. Read Mimicking Monkey's storybook and listen to beautiful sounds as your child slowly drifts away into a peaceful slumber.

The Great Debaters

• Denzel Washington directs and stars in this uplifting drama based on a true story about a small East Texas all-black college in 1935 that rises to the top of the nation's debate teams in a duel against Harvard. A poet and debating coach at Wiley College, Professor Melvin Tolson (Washington) sees debating as "a blood sport" and recruits the meanest and brightest, including troubled Henr

JAMAL WALLAS IS A 16-YEAR-OLD BASKETBALL STAR WITH A SECRET PASSION FOR WRITING. WILLIAM FORRESTER IS A FAMOUS, RECLUSIVE NOVELIST WHO IS ANGRY AT THE WORLD. AFTER AN UNEXPECTED MEETING, FORRESTER BECOMES JAMAL'S UNLIKELY MENTOR AND BOTH MEN LEARN LESSONS FROM EACH OTHER ABOUT THE IMPORTANCE OF FRIENDSHIPFinding Forrester could have been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old black kid from the South Bronx who's a brilliant scholar-athlete. Instea! d, director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappeared (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliché--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation.

Comparisons to Van Sant's Good Will Hunting are inevitable, but Finding Forrester is more honest and less prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutua! l attraction that remains almost entirely unspoken. The film t! akes a c onventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of many fine moments for Connery and Brown (a screen natural), in a memorable film that transcends issues of race to embrace the joy of learning. --Jeff Shannondvd Widescreen EditionFinding Forrester could have been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old black kid from the South Bronx who's a brilliant scholar-athlete. Instead, director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappe! ared (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliché--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation.

Comparisons to Van Sant's Good Will Hunting are inevitable, but Finding Forrester is more honest and less prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutual attraction that remains almost entirely unspoken. The film takes a conventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of! many fine moments for Connery and Brown (a screen natural), i! n a memo rable film that transcends issues of race to embrace the joy of learning. --Jeff ShannonDirector Gus Van Sant brings to the screen this moving story of a grizzled recluse and an inner-city teenager brought together by their shared passion for writing. Like Van Sant's Oscar-nominated GOOD WILL HUNTING, FINDING FORRESTER earnestly explores the struggles of a youthful genius whose position in society (underprivileged kid from the wrong side of the tracks) makes him seem destined for failure until he forms a relationship with a gifted but introverted mentor who helps him see the light.The youthful genius is a talented urban basketball player named Jamal Wallace (Rob Brown), who in his spare time reads everything he can get his hands on, secretly scribbling prose and poetry into a composition pad. The introverted mentor is William Forrester (Sean Connery), who took the literary world by storm with his debut novel, AVALON RISING, 50 years earlier but now spends whole days s! hut inside his Bronx apartment looking out the window onto a basketball court where Jamal hangs out. Buoyed by excellent performances from Connery and newcomer Brown, FINDING FORRESTER paints a compelling, alluring portrait of friendship while offering intriguing insights into the heart and soul of the dedicated writer.In this emotionally uplifting drama a dedicated teacher gives his students the gift of inspiration. Studio: Buena Vista Home Video Release Date: 05/11/2007 Starring: Robin Williams Run time: 128 minutes Rating: PgRobin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches, but whose charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible press! ure on his son--played by Robert Sean Leonard--to drop his int! erest in theater reaches heartbreaking proportions.) Williams is given plenty of latitude to work in his brand of improvisational humor, though it is all well-woven into his character's style of instruction. --Tom Keogh Robin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches, but whose charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible pressure on his son--played by Robert Sean Leonard--to drop his interest in theater reaches heartbreaking proportions.) Williams is given plenty of latitude to work in his brand of improvisational humor, though it is all well-woven into his character's style of instruction. --Tom KeoghFinding Forrester could ha! ve been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old black kid from the South Bronx who's a brilliant scholar-athlete. Instead, director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappeared (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliché--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation.

Comparisons to Van Sant's Good Will Hunting are ine! vitable, but Finding Forrester is more honest and less ! prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutual attraction that remains almost entirely unspoken. The film takes a conventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of many fine moments for Connery and Brown (a screen natural), in a memorable film that transcends issues of race to embrace the joy of learning. --Jeff ShannonTwo-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach wh! o uses the power of words to transform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features:

Deleted Scenes
The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.
My Soul Is A Witness; Music Video
Theatrical Trailer
Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting PartyInspired by real events, the fascinating The Great Debaters reveals one of the seeds of the Civil Rights Movement in its story of Melvin B. Tolson (Denzel Washington in a captivating performance) and his champion 1935 debate club from the all-African-American Wiley College in Texas. Tolson, a Wiley professor, labor organizer, modernist poet, and much else, runs a rigorous debate program at the school, selecting four students as his team in ’35, among them the future founder of the Congress of Racial Equality, James Farmer Jr. (Denzel Whitaker! ). Washington, who directed The Great Debaters from a s! cript by Robert Eisele (The Dale Earnhardt Story), anchors the story with the team’s measurable progress, but the film is also about the state of race relations in America at the height of the Great Depression. With lynchings of black men and women a common form of entertainment and black subjugation for many rural whites, the idea of talented and highly intelligent African-American young people learning to think on their feet during debates would seem almost a hopeless endeavor. But that’s not the way Tolson sees it, as his students serve themselves and the cause of racial equality in America with energetic arguments in favor of progressive government and non-violence as a viable social movement. There are some startling moments in this movie, particularly the sight of a man found lynched and burned to death, and an extraordinary moment in which we see black sharecroppers and white farmers engaged with Tolson in arguments about unionizing together. Forest Whitaker is out! standing as Farmer’s emotionally-reserved father, also a Wiley professor. This is the kind of film where one hopes two great actors such as the elder Whitaker and Washington will have a scene together, and when it comes it’s as powerful as one might hope. --Tom Keogh

American Gun

• The stories of a gun shop owner, a single mother, and a school principle are woven together in a drama examining the effects of the proliferation of guns in America. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 796019795432 UPC: 796019795432 Manufacturer No: 79543

Kevin Oliver, writer for No Depression, said this: 'On their second album, South Carolina's American Gun sift Uncle Tupelo, Neil Young and Bruce Springsteen through a filter of southern gothic story-telling and rock 'n' roll energy, coming out with a batch of pure, stripped-down twang 'n' roll.' Frontmen Todd Mathis and Donald Merckle trade songs throughout; Mathis offers up the drawling Horses and the appropriately guitar-heavy Neil Young Mood, while Merckle keeps to a tightly focused pop-rock sound on Fight Song and Drunk Girls.The stories of a gun shop owner, a single mother, and a school princ! iple are woven together in a drama examining the effects of the proliferation of guns in America.

TCM Greatest Classic Films Collection: Murder Mysteries (The Maltese Falcon / The Big Sleep / Dial M for Murder / The Postman Always Rings Twice 1946)

• THE MALTESE FALCON Some high-living lowlifes want to get their sweaty hands on a bejeweled falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why and who ll take the fall for his pertner s murder. Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr. co-star in a crackling masterwork directed and written for the screen by John Huston.THE BIG SLEEP (1946) L.A. private eye Phi

First, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording! devices and on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam ! Chomsky, and Hollywood types, like J.J. Abrams, who created Lost, and Quentin Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo to take a look at their ban on outdoor ads: no billboards or messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-style marketing. The film as a whole resembles a full-length version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyFirst, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording devices and ! on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam Chomsky, and ! Hollywood types, like J.J. Abrams, who created Lost, an! d Quenti n Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo to take a look at their ban on outdoor ads: no billboards or messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-style marketing. The film as a whole resembles a full-length version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyOscar nominated, boundary pushing director Morgan Spurlock's POM Wonderful Presents: The Greatest Movie Ever Sold that looks with humorous insight into the world of product placement and marketing. Providing the soundtrack to this insightful and humorous documentary are a wide array of artist, including two originals tracks recorded specifically for the soundtrack, a spoken word piece from director Morgan Spurlock and a track entitled "The Greatest Song I Ever Heard" by the band OK Go, who isn't shy about their associations ! with brands and product placement.THE MALTESE FALCON Some high-living lowlifes want to get their sweaty hands on a bejeweled falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why â€" and who’ll take the fall for his pertner’s murder. Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr. co-star in a crackling masterwork directed and written for the screen by John Huston. THE BIG SLEEP (1946) L.A. private eye Philip Marlowe (Humphrey Bogart) takes on a blackmail case…and wears out his gumshoes trailing murderers, nightclub rogues, the spoiled rich and more. Lauren Bacall joins Bogart under Howard Hawks’ brisk and atmospheric direction of an ace adaptation of Raymond Chandler’s novel. DIAL M FOR MURDER Alfred Hitchcock’s screen version of Frederick Knott’s stage hit casts Grace Kelly, Ray Milland and Robert Cummings as points of a romantic triangle. She loves Cummings; her husband Milland plots her murder. But when he dials a Mayfai! r exchange to set the plot in motion, his right number gets th! e wrong answer! THE POSTMAN ALWAYS RINGS TWICE (1946) Based on the novel by James M. Cain (Double Indemnity, Mildred Pierce), this quintessential film noir stars John Garfield and Lana Turner as illicit lovers who botch a first attempt to bump off her husband, pull it off and betray each other at trial. Amorous attractions never proved so fatal as in this steamy, stormy classic.

Fay Grim

• Fay Grim (Parker Posey) is afraid her son Ned (Liam Aiken) will turn out like his father, Henry, who has been a fugitive for seven years. Fay s brother, Simon, is serving a prison sentence for helping Henry escape the country. Adding to her trials, Fay is approached by a CIA agent (Jeff Goldblum) to help find Henry s missing notebooks in exchange for Simon s freedom. The mission escalates into a g

HENRY FOOL - DVD MovieSimon (James Urbaniak), a shy garbage man, lives with his sister (Parker Posey of Party Girl and Waiting for Guffman, among dozens of other movies) and mother, who both treat him with minimal respect. Into Simon's life comes Henry Fool (Thomas Jay Ryan), a heavy-drinking self-proclaimed great writer who goads Simon into writing an enormous poem. The poem becomes the source of great controversy, proclaimed by some as a great work of art, denounced by others as pe! rverse trash. As Simon's star rises, he tries to draw attention to Henry's work as well, to little avail. Though the premise seems simple, Henry Fool takes on something of an epic sweep as it follows the effects of fame on Simon's and Henry's lives. This rumination on art and inspiration was hailed by some critics as the best film yet by writer-director Hal Hartley (Trust, Simple Men, Amateur), while others felt it brought out his worst self-indulgences. All of Hartley's movies defy easy interpretation, and Henry Fool is no exception. Still, it's a rare film that even tries to tackle such subjects, let alone does so with a combination of intelligence and humor (ranging from verbal quirkiness to scatological embarrassment). Hartley's films, surprisingly enough, feel warmer and more accessible on video; perhaps watching them in one's home makes them seem more intimate and less abstract. --Bret FetzerFAY GRIM - DVD MovieFay Grim is Hal Hartley's version of the espionage thriller. Conseq! uently, it's more peculiar than pulse-pounding, but that's what makes his films appealing--to those who appreciate their off-kilter rhythms, that is. In Hartley's world, dialogue is often delivered with a straight face, no matter how funny the line or farcical the situation. In Fay Grim, he picks up seven years after Henry Fool left off, but this time the writer/director shifts focus from novelist Henry (Thomas Jay Ryan) to his seemingly scattered wife, Fay (Parker Posey). Their son, Ned (Liam Aiken), is now in his teens, but Henry remains at large, and Fay's "garbage man poet" brother, Simon (James Urbaniak), remains in prison for aiding in his escape. Then two CIA operatives, Fulbright (Jeff Goldblum) and Fogg (Leo Fitzpatrick), inform her that Henry is dead, so Fay agrees to track down his complete set of diaries in exchange for Simon's freedom. Apparently, Henry's incoherent ramblings contain state secrets. Joining forces with stewardess Bebe (Elina Löwensohn), Fa! y travels from Queens to Paris to Istanbul to fulfill her mission. In the end, Fay Grim resembles Hartley's noir parody Amateur, which featured Löwensohn, more than Henry Fool. It has less to say about talent and celebrity and more about mystery and intrigue. For the filmmaker, it also represents an opportunity to reunite a strong ensemble and to recover, at least for the time being, from a string of disappointments, like No Such Thing and The Girl From Monday. --Kathleen C. Fennessy

Cleopatra's Daughter: A Novel

• ISBN13: 9780307409133
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Her palace shimmered with onyx and gold but was richer still in political and sexual intrigue. Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator. She was married twice, each time to a brother. She waged a brutal civil war against the first and poisoned the second; incest and assassination were family specialties. She had children by Julius Caesar and Mark Antony, two of the most prominent Romans of the day. With Antony she would attempt to forge a new empire, in an alliance that spelled both their ends. Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Her supple personality and the drama of her circumstances have been lost. ! In a masterly return to the classical sources, Stacy Schiff boldly separates fact from fiction to rescue the magnetic queen whose death ushered in a new world order.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Bestselling novelist Margaret George brings to life the glittering kingdom of Cleopatra, Queen of the Nile, in this luch, sweeping, and richly detailed saga. Told in Cleopatra's own voice, this is a mesmerizing tale of ambition, passion, and betrayl, which begins when the twenty-year-old queen seeks out the most powerful man in the world, Julius Caesar, and does not end until, having survived the assassination of Caesar! and the defeat of the second man she loves, Marc Antony, she ! plots he r own death rather than be paraded in triumph through the streets of Rome.

Most of all, in its richness and authenticity, it is an irresistible story that reveals why Margaret George's work has been widely acclaimed as "the best kind of historical novel, one the reader can't wait to get lost in." (San Francisco Chronicle).

The Pulitzer Prize-winning biographer brings to life the most intriguing woman in the history of the world: Cleopatra, the last queen of Egypt.

Her palace shimmered with onyx, garnets, and gold, but was richer still in political and sexual intrigue. Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator.

Though her life spanned fewer than forty years, it reshaped the contours of the ancient world. She was married twice, each time to a brother. She waged a brutal civil war against the first when both were teenagers. She poisoned the second. Ultimately she dispensed with an ! ambitious sister as well; incest and assassination were family specialties. Cleopatra appears to have had sex with only two men. They happen, however, to have been Julius Caesar and Mark Antony, among the most prominent Romans of the day. Both were married to other women. Cleopatra had a child with Caesar and--after his murder--three more with his protégé. Already she was the wealthiest ruler in the Mediterranean; the relationship with Antony confirmed her status as the most influential woman of the age. The two would together attempt to forge a new empire, in an alliance that spelled their ends. Cleopatra has lodged herself in our imaginations ever since.

Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Shakespeare and Shaw put words in her mouth. Michelangelo, Tiepolo, and Elizabeth Taylor put a face to her name. Along the way, Cleopatra's supple personality and the drama of her circumstances have been lost. ! In a masterly return to the classical sources, Stacy Schiff he! re boldl y separates fact from fiction to rescue the magnetic queen whose death ushered in a new world order. Rich in detail, epic in scope, Schiff 's is a luminous, deeply original reconstruction of a dazzling life.The Pulitzer Prize-winning biographer brings to life the most intriguing woman in the history of the world: Cleopatra, the last queen of Egypt.

Her palace shimmered with onyx, garnets, and gold, but was richer still in political and sexual intrigue. Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator.

Though her life spanned fewer than forty years, it reshaped the contours of the ancient world. She was married twice, each time to a brother. She waged a brutal civil war against the first when both were teenagers. She poisoned the second. Ultimately she dispensed with an ambitious sister as well; incest and assassination were family specialties. Cleopatra appears to have had sex with only two men. They happen, however! , to have been Julius Caesar and Mark Antony, among the most prominent Romans of the day. Both were married to other women. Cleopatra had a child with Caesar and--after his murder--three more with his protégé. Already she was the wealthiest ruler in the Mediterranean; the relationship with Antony confirmed her status as the most influential woman of the age. The two would together attempt to forge a new empire, in an alliance that spelled their ends. Cleopatra has lodged herself in our imaginations ever since.

Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Shakespeare and Shaw put words in her mouth. Michelangelo, Tiepolo, and Elizabeth Taylor put a face to her name. Along the way, Cleopatra's supple personality and the drama of her circumstances have been lost. In a masterly return to the classical sources, Stacy Schiff here boldly separates fact from fiction to rescue the magnetic queen whose death ushered in a! new world order. Rich in detail, epic in scope, Schiff 's is ! a lumino us, deeply original reconstruction of a dazzling life.Richard Burton, Rex Harrison and Elizabeth Taylor star in one of the greatest screen spectacles ever made - the story of the Queen of the Nile and her love affairs with Julius Caesar and Mark Antony. The film is distinguished by superb performances from Burton and Harrison (nominated for an Oscar), but at its center is Elizabeth Taylor in one of the most glamorous roles of her career. Astounding in scope and grandeur, the picture won Oscars for cinematography, sets and special effects. It's famous moments include moviedom's most flamboyant entrance - Cleopatra's dazzling arrival in Rome. Bolstered by a talented supporting cast and utterly stunning backdrops, here is a truly epic portrayal of the woman who conquered two of Rome's greatest soldiers, affected the course of history, and became synonymous with beguiling beauty - Cleopatra.This 1963 extravaganza, directed by Joseph L. Mankiewicz, is certainly an epic historica! l drama with all the elements: elaborate sets, intricate costuming, name actors, a factual basis, and an overlong script (just over four hours). But the acting is well performed and the backdrops are lush, making this a film worth seeing. Elizabeth Taylor is Cleopatra, the Egyptian queen who seduces Julius Caesar (Rex Harrison) in a political move to hold onto her empire. When Caesar is killed in the Roman Senate, Cleopatra looks to Marc Antony (Richard Burton) for his support, practically enslaving him with her wiles. Taylor is dramatic in her role, at times overly serious, but stunning nonetheless as the woman described as "well versed in the natural sciences and mathematics. She speaks seven languages proficiently. Were she not a woman one would consider her to be an intellectual." While the film does seem to drag at moments, it deserves the four Oscars it won for cinematography, art direction-set direction, costumes, and special effects. Don't confuse this Cleopatra with the 1934 version directed by Cecil B. DeMille and sta! rring Cl audette Colbert. --Jenny BrownThis anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.The marriage of Marc Antony and Cleopatra is one of the greatest love stories of all time, a tale of unbridled passion with earth-shaking political consequences. Feared and hunted by the powers in Rome, the lovers choose to die by their own hands as the triumphant armies of Antony’s revengeful rival, Octavian, sweep into Egypt. Their three orphaned children are taken in chains to ! Rome; only twoâ€" the ten-year-old twins Selene and Alexanderâ€"survive the journey. Delivered to the household of Octavian’s sister, the siblings cling to each other and to the hope that they will return one day to their rightful place on the throne of Egypt. As they come of age, they are buffeted by the personal ambitions of Octavian’s family and court, by the ever-present threat of slave rebellion, and by the longings and desires deep within their own hearts.

The fateful tale of Selene and Alexander is brought brilliantly to life in Cleopatra’s Daughter. Recounted in Selene’s youthful and engaging voice, it introduces a compelling cast of historical characters: Octavia, the emperor Octavian’s kind and compassionate sister, abandoned by Marc Antony for Cleopatra; Livia, Octavian's bitter and jealous wife; Marcellus, Octavian’s handsome, flirtatious nephew and heir apparent; Tiberius, Livia’s sardonic son and Marcellus’s great rival for power! ; and Juba, Octavian’s watchful aide, whose honored position! at cour t has far-reaching effects on the lives of the young Egyptian royals.

Selene’s narrative is animated by the concerns of a young girl in any time and placeâ€"the possibility of finding love, the pull of friendship and family, and the pursuit of her unique interests and talents. While coping with the loss of both her family and her ancestral kingdom, Selene must find a path around the dangers of a foreign land. Her accounts of life in Rome are filled with historical details that vividly capture both the glories and horrors of the times. She dines with the empire’s most illustrious poets and politicians, witnesses the creation of the Pantheon, and navigates the colorful, crowded marketplaces of the city where Roman-style justice is meted out with merciless authority.

Based on meticulous research, Cleopatra’s Daughter is a fascinating portrait of imperial Rome and of the people and events of this glorious and most tumultuous period in human history. ! Emerging from the shadows of the past, Selene, a young woman of irresistible charm and preternatural intelligence, will capture your heart.


From the Hardcover edition.