Saturday, December 31, 2011

Harsh Times

  • (Action) Bale stars as an ex-Army Ranger who finds himself slipping back into his old life of petty crime and booze after a job offer from the LAPD evaporates. Honorable discharged, Homeland Security wants to recruit him for some special ops in Central America, but first he has to pass a urine test.which proves difficult. Film directorial debut for Ayer who has written such box office hits as TRA
(Action) Bale stars as an ex-Army Ranger who finds himself slipping back into his old life of petty crime and booze after a job offer from the LAPD evaporates. Honorable discharged, Homeland Security wants to recruit him for some special ops in Central America, but first he has to pass a urine test...which proves difficult. Film directorial debut for Ayer who has written such box office hits as TRAINING DAY, U-571 and THE FAST AND THE FURIOUSBleak as its South Central Los Angeles setting, Harsh T! imes is like a suicidal vortex swallowing men who ought to know better but can't stop their self-destruction. Christian Bale stars as Jim Davis, a stressed-out, former Army Ranger who becomes a very bad influence on his weak-willed buddy, Mike Alvarez (Freddy Rodriguez of Six Feet Under). Together the two meander through streets at night, getting drunk and stoned, finding trouble for its own sake and inviting danger as a ritual of machismo bonding. Mike's wife, Sylvia (Eva Longoria), a lawyer whom Mike, working as a telemarketer, put through school, is repelled by Jim and watches in pain as her spouse chooses a downward spiral over renewal and redemption with her. When Jim's application to join the L.A. police is turned down, he leads Mike into pure anarchy. An impractical change of fortune doesn't help any, and first-time director David Ayer, who wrote the screenplay for Harsh Times years before his script for Training Day, goes to some lengths, dr! amatically and visually, to convey Jim's unhinged condition. T! he drear iness of it all, and a sense that Bale has constructed--but not exactly lived in--another in his gallery of lost, misfit souls, makes it hard to connect with this film. Still, it is hard to turn away from these desperate and dangerous characters. --Tom Keogh

Catfish in Black Bean Sauce

  • PG-13
  • 119 mins.
  • 2001
In late 2007, filmmakers Ariel Schulman and Henry Joost sensed a story unfolding as they began to film the life of Ariel's brother, Nev. They had no idea that their project would lead to the most exhilarating and unsettling months of their lives. A reality thriller that is a shocking product of our times, Catfish is a riveting story of love, deception and grace within a labyrinth of online intrigue.The slipperiness of truth and lies on the Internet gets played out in unexpected ways in the documentary Catfish. When Nev Schulman receives a painting based on a photograph of his from an 8-year-old girl named Abby in Michigan, he doesn't realize this is going to lead to a long-distance romance with Abby's older sister Megan… and that this romance, conducted over the phone and the Internet, will lead to something far more troubling. It woul! d be unfair to reveal more details of Catfish, as the process of discovery is one of its pleasures--but even if you do know the sequence of events, the movie's ultimate reward is not the revelation of secrets but the surprising and very human interactions of the movie's last third. While there is a thriller aspect to the movie--and the suspense at points is indeed nail biting--the revelation isn't the bang that Hollywood movies lead you to expect. Instead, Catfish turns sad, unsettling, and sure to inspire arguments about motivations and human nature. --Bret FetzerStudio: Uni Dist Corp. (mca) Release Date: 01/04/2011 Run time: 88 minutes Rating: Pg13The slipperiness of truth and lies on the Internet gets played out in unexpected ways in the documentary Catfish. When Nev Schulman receives a painting based on a photograph of his from an 8-year-old girl named Abby in Michigan, he doesn't realize this is going to lead to a long-distance romance wi! th Abby's older sister Megan… and that this romance, conduct! ed over the phone and the Internet, will lead to something far more troubling. It would be unfair to reveal more details of Catfish, as the process of discovery is one of its pleasures--but even if you do know the sequence of events, the movie's ultimate reward is not the revelation of secrets but the surprising and very human interactions of the movie's last third. While there is a thriller aspect to the movie--and the suspense at points is indeed nail biting--the revelation isn't the bang that Hollywood movies lead you to expect. Instead, Catfish turns sad, unsettling, and sure to inspire arguments about motivations and human nature. --Bret Fetzer
For years, catfish have taken a backseat to more glamorous species like largemouth bass and walleyes. But times have changed. Today, nearly 10 million anglers wet a line hoping to do battle with a monster cat. Learn how to catch bigger catfish than ever before.

This book is a comprehensive look at the world of ! catfish. Beginning with the biology of catfish, Author Keith Sutton then follows with the where-to and how-to information that will lead to successful fishing. Beyond locating fish and rig & tackle techniques, there's even a section on cleaning and cooking your catfish.

Dwayne and his sister are Vietnamese siblings who were adopted by an African-American couple. Now in their mid-20s, they both have chosen different paths, but when they learn that their biological mother is coming to Los Angeles, they eagerly await the reunion. This drama is both funny and moving in an emotionally rewarding journey through the tapestry of one group of immigrants searching for what it means to call themselves a family.

Cowboys & Angels

The Sword in the Stone (Disney Gold Classic Collection)

  • SWORD IN THE STONE, THE GOLD COLLECTION (DVD MOVIE)
The Boys: The Sherman Brothers’ Story is an intimate journey through the lives of Robert B. Sherman and Richard M. Sherman, the astoundingly prolific, Academy Award®-winning songwriting team that defined family musical entertainment for five decades with unforgettable songs like “Supercalifragilisticexpialidocous” from Mary Poppins, “I Wanna Be Like You” from The Jungle Book and the most translated song ever written "It’s a Small World (After All)" from the Disneyland attraction.  The feature-length documentary, conceived, produced and directed by two of the songwriters’ sons, take audiences behind the scenes of the Hollywood magic factory and offers a rate glimpse of a unique creative process at work.  It also explores a deep and longstanding rift that has kept the brothers personally estranged throughout much of their unpa! ralleled professional partnershipWhat songwriters' tunes have been covered by John Coltrane, Annette Funicello, Ringo Starr, Julie Andrews, Dick Van Dyke, Louis Prima, and Pink Floyd's David Gilmour, among others? Consider yourself an expert if your answer is Robert and Richard Sherman, whose long, fruitful, and often contentious partnership is chronicled in The Boys: The Sherman Brothers' Story. The fact that this documentary by directors Jeff and Gregory Sherman (sons of Robert and Richard, respectively) was released under the imprimatur of the Walt Disney Company, for whom "the Boys" did their most renowned work, is an indication that this isn't exactly a hard-hitting exposé; although the estrangement between Bob and Dick, as they were known, isn't ignored ("We perpetrated a façade for 50 years," says one), far more attention is given to the music. That's precisely as it should be. Talking heads like Van Dyke, Andrews, Randy Newman, Ben Stiller, and Hayley Mills! help tell the tale of lyricist Bob and composer Dick, who wer! e themse lves the sons of a successful songwriter, Al Sherman. They began writing together in the early '50s, scored a hit with Funicello's "Tall Paul" late in that decade (Annette is also seen here singing "Monkey's Uncle," backed by none other than the Beach Boys), and soon became staff writers for Walt Disney. Major successes followed, including an Oscar-winning score for Mary Poppins and songs for The Jungle Book, The Many Adventures of Winnie the Pooh, and others; they also wrote pop hits like "You're Sixteen" (a hit for Ringo in the '70s), and can take credit (or blame, depending on one's point of view) for "It's a Small World," one of the planet's most ubiquitous songs. The documentary has its flaws--it's overlong at 102 minutes, and the brothers' eventual estrangement, which continues to this day, is attributed to their opposite personalities (Bob, who served in World War II, is quieter and more dour than his volatile younger brother) but not really expla! ined. Still, the music, and there's lots of it, is very well handled, especially in a terrific bonus feature called "Sherman Brothers Jukebox," which details the creation of several Sherman classics. --Sam GrahamRICHARD M. SHERMAN and ROBERT B. SHERMAN - They were hired by Walt Disney himself as his first and only staff songwriters. Their music has been an important part of motion pictures, theme park attractions, television productions, records, compact discs and Broadway shows - entertaining millions of people all over the world. Presented here are 59 songs highlighting The Sherman Brothers' incredibly prolific Disney years - from Annette's 1959 hit "Tall Paul" to their work from The Tigger Movie in 2000. Newly restored with the latest digital technology, this collection features not only their landmark hits from Mary Poppins, Winnie the Pooh, The Jungle Book, and "it's a small world", but a number of their other classics - many available for the first time! on CD. Their voluminous repertoire is only matched by their ! musical versatility - composing in styles from Rock 'n Roll and English Music Hall to Samba and March. These genres and more are represented as we travel through the Sherman Brothers' Disney career from the very beginning. The extensive Liner Notes reveal the stories behind the songs; illustrated with candid photos of the Shermans at work, and with the star-studded gallery of artists who performed their classic songs. Artists such as - Annette Funicello Fred MacMurray Tommy Sands Maureen O'Hara Hayley Mills Maurice Chevalier Burl Ives Rex Allen Julie Andrews Dick Van Dyke Annette and The Beach Boys Louis Prima Tommy Steele Lesley Ann Warren John Davidson Ann Shelton Louis Armstrong The Mike Sammes Singers Angela Lansbury Kenny Loggins Walt Disney

Also included are three Bonus Tracks from the 1969 Disneyland Records recordings of "Chitty Chitty Bang Bang", "Hushabye Mountain", and "Me Ol' Bamboo" performed by by The Mike Sammes Singers. The Sherman Brothers ! wrote the soundtrack to our lives - more than you may even know. It is certain, that as you listen, you will inevitably find yourself saying, "They wrote that too?" Yes, they did. * 2 CD set * 59 tracks total * 26 rare tracks * 6 tracks - first time on CD * 3 Bonus Tracks from Chitty Chitty Bang Bang - first time on CD * Newly restored with the latest digital technology * Artists - Annette Funicello Fred MacMurray Tommy Sands Maureen O'Hara Hayley Mills Maurice Chevalier Burl Ives Rex Allen Julie Andrews Dick Van Dyke Annette and The Beach Boys Louis Prima Tommy Steele Lesley Ann Warren John Davidson Ann Shelton Louis Armstrong The Mike Sammes Singers Angela Lansbury Kenny Loggins Walt Disney * Extensive Liner Notes chronicling the Sherman Brothers' Disney Career * Behind-the-scenes photos * Songs from - Annette The Absent-minded Professor The Parent Trap The Wonderful World of Color The Horsemasters In Search of the Castaways Summer Ma! gic Disneyland The 1954 World's Fair Mary Poppins The Monk! ey's Unc le That Darn Cat Winnie the Pooh The Jungle Book The Happiest Millionaire The One and Only, Genuine, Original Family Band Chitty Chtty Bang Bang The Aristocats Bedknobs and Broomsticks EPCOT Tokyo Disneyland The Tigger Movie * Over 2 and a half hours of total playing timeAt the height of Beatlemania, the Disney folks were teaching kids how to really swing with this soundtrack to their adaptation of Rudyard Kipling's The Jungle Book. Of course, it's Phil Harris (the voice of everyone's favorite hipster bear Baloo) who steals the show with the original slacker anthem, "The Bare Necessities," but his scat match with an inspired Louis Prima on "I Wan'na Be Like You (The Monkey Song)" is also not to be missed. Songwriters Richard and Robert Sherman--who clearly enjoyed playing the irony card on songs like "Trust in Me (The Python's Song)" and "That's What Friends Are For" (The Vulture Song)"--offer entertaining reminiscences about the project in a 12-minute bon! us track. George Bruns's wonderful underscore, a couple early song demos, and two post-soundtrack Baloo numbers round out a collection that suggests, in the most charming way imaginable, that it really is a jungle out there. --Bill FormanThey built their home on the timeless mountain that bears their name. They built their lives on even stronger stuff: the bedrock of family. This 5-disc set features all 24 Year-One episodes of the beloved series that ran 9 years and won 5 Emmy Awards its inaugural year, including Outstanding Drama Series. Richard Thomas plays the key role of John-Boy Walton, a youth on the verge of manhood during the Great Depression and a fledgling writer whose observations are filled with the growing-up lessons and love he receives from father John, mother Olivia, Grandma, Grandpa and all the rest of The Waltons.The Waltons' nearly 10-year run on network television grew out of the popular, 1971 made-for-TV movie The Homecoming, which ! was derived from a Depression-era, rustic setting ("Walton's M! ountain" ), and characters based on Earl Hamner Jr.'s autobiographical novel Spencer's Mountain--itself the source for a very nice 1963 feature film starring Henry Fonda and Maureen O'Hara. That's a lot of entertainment sprouting from Hamner's prose. But something about his seminal story of family values, rugged independence, and big dreams amidst a hardscrabble existence captured the hearts of American audiences, many of whom personally recalled severe economic adversity in the 1930s.

The Waltons: The Complete First Season collects those initial episodes from the series building on the strengths of the Homecoming pilot, which introduced the extended Walton clan led by a strong-willed mill owner, John (Andrew Duggan), and his equally resolute wife, Olivia (Patricia Neal). The Waltons recast those key roles (as well as a few others) with Ralph Waite and Michael Learned (yup, a female), but Richard Thomas carried over as oldest child John-Boy Walton, a! n aspiring writer whose cusp-of-manhood view informs the series. Will Geer (Seconds) replaced Edgar Bergen as Grandpa Walton, Ellen Corby remained as Grandma, and John and Olivia's large brood (seven kids in all) were filled out by largely unknown, young actors. The episodes, still delightful and touching, strong on production values and unusually tight and polished for primetime drama, tended to focus on creator Hamner's pet themes of self-sacrifice and heroic effort when the going got tough.

Year 1 highlights include "The Carnival," in which the impoverished Waltons, who can't pay for tickets to see a circus performance, end up sheltering stranded carney folk. "The Typewriter" is a classic about John-Boy "borrowing" a museum's antique typewriter, only to have his sister Mary Ellen (Judy Norton) sell it as junk. "The Sinner" concerns the arrival of a fundamentalist minister on Walton's Mountain, finding comfort in the words of religious iconoclast John Walton a! fter the clergyman makes a fool of himself with moonshine. Tha! t's Hamn er himself providing touches of narration. During the long run of the multiple-award-winning The Waltons, there were many changes in casting and storylines. But this boxed set reveals a fine series in its pristine state. --Tom KeoghDazzling color and brilliant animation bring the medieval legend of King Arthur to life in THE SWORD IN THE STONE. With a forest full of charm, spectacle, and wizardry, Disney's classic tale conjures up delightful entertainment for all ages! England is in the midst of a dark age and without a proper king, Young "Wart," an orphan and squire-in-training, is content with kitchen duties in his foster home -- until he drops in on the extraordinary wizard Merlin and his articulate owl, Archimedes. Through three life lessons, Wart learns to set his "sights on the heights," armed with the most powerful forces on earth -- intellect, wisdom, and love. When it's time to contest who will be king, Wart must use his newfound knowledge to do what n! o mighty knight has done before! Join in all the magical marvels that make THE SWORD IN THE STONE a classic animated film and pure Disney gold!Based upon T.H. White's beloved novel, this Disney-fied version chronicles the tutoring of the Once and Future King, Arthur, as handled by the magician Merlin. Sword was a portent of things to come, with slapstick upbraiding storytelling, and cultural in-jokes substituting for wonder. But there's much to enjoy here as Merlin shows Newt, the young Arthur, things that will help him become the ruler of the Britons. The transformation sequences, where the boy is turned into a fish, a bird, and a squirrel are vintage Disney. The oft-repeated scene of Merlin battling it out with the mean old Madame Mim still is worth a few chuckles, but it belies the problem with most of the film--the scenes are only there for the chuckles. References by Merlin to television and other items of modern life also mar the generally innocuous landscape. ! Children will like it, but they won't cherish it. --Keith S! imanton< /i>